{"id":590,"date":"2024-04-09T18:11:55","date_gmt":"2024-04-09T16:11:55","guid":{"rendered":"https:\/\/zeit-artresearch.org\/the-last-lamentation-supernova-santarcangelo-festival\/"},"modified":"2024-04-10T17:14:34","modified_gmt":"2024-04-10T15:14:34","slug":"the-last-lamentation-supernova-santarcangelo-festival","status":"publish","type":"post","link":"https:\/\/zeit-artresearch.org\/en\/the-last-lamentation-supernova-santarcangelo-festival\/","title":{"rendered":"The Last Lamentation | Supernova | Santarcangelo Festival"},"content":{"rendered":"

The Last Lamentation | Supernova | Santarcangelo Festival<\/h1><\/div>

April 20 h.7 p.m.<\/strong>
\nThe Last Lamentation | Supernova<\/strong><\/p>\n

After the project’s exhibition at MAN in Nuoro<\/strong>, Valentina Medda’s The Last Lamentation will be premiered as a performance <\/strong>on April 20<\/strong> during Supernova<\/strong>, a performing arts project in Rimini, curated by Motus, Santarcangelo dei Teatri<\/strong> and the Municipality of Rimini<\/strong>.<\/p>\n

The sea, the crossroads of present-day diasporas, here becomes embodied through a choral action inspired by the ancient tradition of the prefiches, which connects the lament of Sardinia-the artist’s birthplace-with that of neighboring countries. Conceived as a ritual in which to participate, The Last Lamentation-which features 12 nonprofessional performers involved in a preparatory workshop-is a shared mourning that recounts the tragedy of the sea and extends like an echo to the entire Mediterranean basin. A funeral ritual for the Mediterranean, conceived by the artist as a place of waiting, suspension and passing away.<\/p>\n

ADDRESS<\/p>\n

\u2192 <\/a>Free beach<\/a><\/p>\n

Boscovich Square, Rimini<\/p>\n

INFO<\/strong>
\nduration: 25 minutes<\/p>\n

CREDITS<\/strong>
\nby Valentina Medda
\nidea and direction Valentina Medda
\nchoreographic score Valentina Medda
\nmusic and sound design Gaspare Sammartano
\nvoice Marianna Murgia
\ncostumes Filippo Grandulli
\nperformer Marianna Murgia
\na production of ZEIT Art Research
\nin co-production with Sardegna Teatro and Santarcangelo Festival
\nin collaboration with MAN Museum in Nuoro, MAMbo Museum of Modern Art in Bologna, FLux Factory (NYC), Viernulvier (BE)
\nproject supported by the Italian Council (2022), General Directorate for Contemporary Creativity, Ministry of Culture and Stronger Peripheries – A Southern Coalition (Bunker Ljubljana, L’arboreto – Teatro Dimora, Sardegna Teatro)<\/p>\n

photo Claudia Borgia – performance Valentina Medda, \u00a9 Borgia \/ Medda<\/p>\n<\/div><\/div><\/div>

<\/div><\/div>

The Last Lamentation | Supernova | Santarcangelo Festival<\/h3><\/div>

\u2192 <\/a>Free beach<\/a><\/strong><\/p>\n

Boscovich Square, Rimini<\/strong>
\nApril 20 h.7 p.m.<\/strong><\/p>\n

<\/div>\n<\/div>
<\/i>Back to news<\/span><\/a><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

The position sought will be responsible for managing and organizing activities in close collaboration with the artistic direction and other team members. <\/p>\n","protected":false},"author":1,"featured_media":556,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[21],"class_list":["post-590","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en","tag-the-last-lamentation-en"],"_links":{"self":[{"href":"https:\/\/zeit-artresearch.org\/en\/wp-json\/wp\/v2\/posts\/590","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zeit-artresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/zeit-artresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/zeit-artresearch.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/zeit-artresearch.org\/en\/wp-json\/wp\/v2\/comments?post=590"}],"version-history":[{"count":9,"href":"https:\/\/zeit-artresearch.org\/en\/wp-json\/wp\/v2\/posts\/590\/revisions"}],"predecessor-version":[{"id":727,"href":"https:\/\/zeit-artresearch.org\/en\/wp-json\/wp\/v2\/posts\/590\/revisions\/727"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/zeit-artresearch.org\/en\/wp-json\/wp\/v2\/media\/556"}],"wp:attachment":[{"href":"https:\/\/zeit-artresearch.org\/en\/wp-json\/wp\/v2\/media?parent=590"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/zeit-artresearch.org\/en\/wp-json\/wp\/v2\/categories?post=590"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/zeit-artresearch.org\/en\/wp-json\/wp\/v2\/tags?post=590"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}