{"id":942,"date":"2024-07-02T16:28:36","date_gmt":"2024-07-02T14:28:36","guid":{"rendered":"https:\/\/zeit-artresearch.org\/the-last-lamentation-nora\/"},"modified":"2024-07-02T17:39:00","modified_gmt":"2024-07-02T15:39:00","slug":"the-last-lamentation-nora","status":"publish","type":"post","link":"https:\/\/zeit-artresearch.org\/en\/the-last-lamentation-nora\/","title":{"rendered":"The Last Lamentation | Nora"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1248px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_2_3 2_3 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:66.666666666667%;--awb-margin-top-large:0px;--awb-spacing-right-large:2.88%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:2.88%;--awb-width-medium:66.666666666667%;--awb-order-medium:0;--awb-spacing-right-medium:2.88%;--awb-spacing-left-medium:2.88%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element \" style=\"--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-1 hover-type-none\"><img decoding=\"async\" width=\"2560\" height=\"1707\" title=\"The Last Lamentation_Studio#1_CC per comunicazione\" src=\"https:\/\/zeit-artresearch.org\/wp-content\/uploads\/2024\/07\/The-Last-Lamentation_Studio1_CC-per-comunicazione-scaled.jpeg\" alt class=\"img-responsive wp-image-937\" srcset=\"https:\/\/zeit-artresearch.org\/wp-content\/uploads\/2024\/07\/The-Last-Lamentation_Studio1_CC-per-comunicazione-200x133.jpeg 200w, https:\/\/zeit-artresearch.org\/wp-content\/uploads\/2024\/07\/The-Last-Lamentation_Studio1_CC-per-comunicazione-400x267.jpeg 400w, https:\/\/zeit-artresearch.org\/wp-content\/uploads\/2024\/07\/The-Last-Lamentation_Studio1_CC-per-comunicazione-600x400.jpeg 600w, https:\/\/zeit-artresearch.org\/wp-content\/uploads\/2024\/07\/The-Last-Lamentation_Studio1_CC-per-comunicazione-800x534.jpeg 800w, https:\/\/zeit-artresearch.org\/wp-content\/uploads\/2024\/07\/The-Last-Lamentation_Studio1_CC-per-comunicazione-1200x800.jpeg 1200w, https:\/\/zeit-artresearch.org\/wp-content\/uploads\/2024\/07\/The-Last-Lamentation_Studio1_CC-per-comunicazione-scaled.jpeg 2560w\" sizes=\"(max-width: 640px) 100vw, 800px\" \/><\/span><\/div><div class=\"fusion-title title fusion-title-1 fusion-sep-none fusion-title-text fusion-title-size-one\"><h1 class=\"fusion-title-heading title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:64;line-height:1;\"><h3>The Last Lamentation | Nora<\/h3><\/h1><\/div><div class=\"fusion-text fusion-text-1\"><p>19 luglio h. 19.45<\/p>\n<p>Il progetto performativo\u00a0<em>The Last Lamentation\u00a0<\/em>di Valentina Medda viene presentato nel contesto del Festival dei Poeti a Nora.<\/p>\n<p><em>The Last Lamentation<\/em> \u00e8 un rituale funebre per il Mediterraneo, concepito dall\u2019artista come luogo di attesa, sospensione e trapasso, incarnazione di un\u2019assenza \u2013 deposito di cadaveri, e cadavere in s\u00e9. Ispirata alla tradizione delle lamentazioni funebri comune a tutto il bacino del Mediterraneo, l\u2019opera racconta la diaspora contemporanea attraverso un\u2019ipnotica partitura musicale e coreografica che rielabora i codici rituali in forme minimali e astratte. La potente presenza di 12 donne piangenti, vestite di nero e rivolte al mare, rende tangibile l\u2019assenza dei morti facendone esplodere le voci silenziose in una performance partecipativa pensata come un rito cui partecipare e che guarda al coro come all\u2019unico linguaggio possibile per raccontare una tragedia contemporanea.<\/p>\n<\/div><div style=\"text-align:center;\"><a class=\"fusion-button button-flat fusion-button-default-size button-default fusion-button-default button-1 fusion-button-default-span fusion-button-default-type\" style=\"--button_margin-top:10px;--button_margin-bottom:10px;\" target=\"_self\" href=\"https:\/\/barleyarts.vivaticket.it\/it\/event\/the-last-lamentation\/238891\"><span class=\"fusion-button-text\">Prenota il biglietto qui <\/span><\/a><\/div><div class=\"fusion-text fusion-text-2\" style=\"--awb-margin-top:10px;\"><p>INFO<br \/>\n<strong>La Notte dei Poeti 24<\/strong><br \/>\n<b>Area Archeologica Nora<\/b><br \/>\nPULA (CA)<br \/>\nITALIA<\/p>\n<p>CREDITS<\/p>\n<p>di Valentina Medda<\/p>\n<p>con Marianna Murgia \u2013 voce solista<\/p>\n<p>e con Gaia Assiero Br\u00e0, Manuela Bernardi, Sara Broi, Donatella Cabras, Manuela Manca,<br \/>\nPaola Marongiu, Daniela Mormile, Carla Orr\u00f9, Raffaelangela Pani, Giovanna Rita Pau<\/p>\n<p>musica Gaspare Sammartano<\/p>\n<p>costumi Filippo Grandulli<\/p>\n<p>ideazione, drammaturgia e regia Valentina Medda<\/p>\n<p>produzione ZEIT Art Research<\/p>\n<p>coproduzione Sardegna Teatro, Flux Factory, Museo MAN di Nuoro, Viernulvier<\/p>\n<p>Il progetto, realizzato nell\u2019ambito del programma Italian Council (2022) curato da Maria Paola Zedda e sponsorizzato dalla Direzione Generale Creativit\u00e0 Contemporanea del Ministero della Cultura,\u00a0 ha ricevuto il sostegno di Stronger Peripheries \u2013 A Southern Coalition<\/p>\n<p><strong><em>\u201cThe Last Lamentation\u201d<\/em><\/strong>\u00a0\u00e8 una elegia funebre per il Mediterraneo, visto come luogo di attesa, sospensione e trapasso, incarnazione di un\u2019assenza.<\/p>\n<p>Crocevia di diaspore attuali, il mare si fa corpo attraverso un\u2019azione corale ispirata all\u2019antica tradizione delle prefiche, che mette in relazione il lamento della Sardegna e di altri popoli e culture.<\/p>\n<\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 awb-sticky awb-sticky-medium awb-sticky-large fusion_builder_column_1_3 1_3 fusion-flex-column\" style=\"--awb-bg-color:var(--awb-color3);--awb-bg-color-hover:var(--awb-color3);--awb-bg-position:right top;--awb-bg-size:cover;--awb-width-large:33.333333333333%;--awb-margin-top-large:0px;--awb-spacing-right-large:5.76%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:5.76%;--awb-width-medium:33.333333333333%;--awb-order-medium:0;--awb-spacing-right-medium:5.76%;--awb-spacing-left-medium:5.76%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\" data-scroll-devices=\"small-visibility,medium-visibility,large-visibility\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:30%;width:100%;\"><div class=\"fusion-separator-border sep-double\" style=\"--awb-height:20px;--awb-amount:20px;border-color:var(--awb-color3);border-top-width:1px;border-bottom-width:1px;\"><\/div><\/div><div class=\"fusion-title title fusion-title-2 fusion-sep-none fusion-title-text fusion-title-size-three\" style=\"--awb-margin-right:4%;--awb-margin-left:4%;--awb-margin-left-small:4%;--awb-font-size:28px;\"><h3 class=\"fusion-title-heading title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;font-size:1em;--fontSize:28;line-height:var(--awb-typography1-line-height);\">The Last Lamentation | Nora<\/h3><\/div><div class=\"fusion-text fusion-text-3 fusion-text-no-margin\" style=\"--awb-margin-right:4%;--awb-margin-bottom:4%;--awb-margin-left:4%;\"><p><strong>INFO<\/strong><br \/>\n<strong>La Notte dei Poeti 24<\/strong><br \/>\n<strong>Area Archeologica Nora<\/strong><br \/>\n<strong>PULA (CA)<\/strong><br \/>\n<strong>ITALIA<\/strong><\/p>\n<div class=\"fusion-text fusion-text-1\"><\/div>\n<\/div><div ><a class=\"fusion-button button-flat fusion-button-default-size button-default fusion-button-default button-2 fusion-button-span-yes fusion-button-default-type\" target=\"_self\" href=\"https:\/\/zeit-artresearch.org\/en\/news\"><i class=\"fa-angle-left fas button-icon-left\" aria-hidden=\"true\"><\/i><span class=\"fusion-button-text\">Back to news<\/span><\/a><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":937,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[21],"class_list":["post-942","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en","tag-the-last-lamentation-en"],"_links":{"self":[{"href":"https:\/\/zeit-artresearch.org\/en\/wp-json\/wp\/v2\/posts\/942","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zeit-artresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/zeit-artresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/zeit-artresearch.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/zeit-artresearch.org\/en\/wp-json\/wp\/v2\/comments?post=942"}],"version-history":[{"count":3,"href":"https:\/\/zeit-artresearch.org\/en\/wp-json\/wp\/v2\/posts\/942\/revisions"}],"predecessor-version":[{"id":961,"href":"https:\/\/zeit-artresearch.org\/en\/wp-json\/wp\/v2\/posts\/942\/revisions\/961"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/zeit-artresearch.org\/en\/wp-json\/wp\/v2\/media\/937"}],"wp:attachment":[{"href":"https:\/\/zeit-artresearch.org\/en\/wp-json\/wp\/v2\/media?parent=942"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/zeit-artresearch.org\/en\/wp-json\/wp\/v2\/categories?post=942"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/zeit-artresearch.org\/en\/wp-json\/wp\/v2\/tags?post=942"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}